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Pomplamoose Tour (Part 3: the Numbers)

2014 November 26
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by Mike Vial

So we’ve read Jack Conte’s article about how much money Pomplamoose lost on tour. (Read here)

I’ve defended the bands’ salaries. (Part 1). I’ve defended the hotel costs. (Part 2)

I still have to ask, how does a month tour netting $136K lose money?

The devil is in the details: venue capacities and ticket prices.

* * * The Numbers * * *

Jack said they projected the tour would cost six figures. I think the numbers (venue capacities x ticket prices) weren’t in their favor considering the production costs.

If we consider the capacities of 23 venues (I’m leaving out the festival gig) and the average ticket price of $15, there isn’t much profit room left with a six figure expense.

Pomplamoosetour

Capacities numbers are from IndieontheMove.com or venues’ websites

* * * Tickets vs. Guarantees * * *

A band at this level is usually getting guarantees, not simply door deals.

But let’s assume they did a door deal for 80/20 with the venue. If they sold out every venue for the average ticket price (12200 tickets X $15) their cut would be about $140-150K. That would have left Jack and Nataly with only merch sales as their personal income.

While an oversimplification, it’s apparent that this budget wasn’t in their favor from the beginning of planning.

* * * Renting Light Production = In the Red * * * 

It cost $26,450 for production rentals, equipment rentals, road cases, and the van rental.  The rentals are one of the reasons this tour didn’t profit.

The tour could have used the venues’ lighting systems. The tour could have brought one crew member rather than two for most of the tour.

This tour deserved to have it’s own sound engineer. (They have a complex set list), but it’s not uncommon for the sound engineer to work as the tour manager when doing 400-800 capacity rooms. (I saw Kris Allen’s soundman work as the tour manager on Kris’s fall tour.)

$26K is an expensive cost of fees for 24 gigs.

* * * Merch Sales * * * 

Maybe the merch sales weren’t as high as they had estimated.

$29,714 divided by 24 gigs = $1238 a show (I wonder if venues took a cut before this.) About 62 folks spent $20 on merch at each show.

* * * Final Thoughts: Making It * * * 

Some folks and bands saw Jack Conte’s article as whining.

I didn’t see it this way at all. Maybe the loss was a choice of investing, but his main theme is what’s important:

Jack was responding to the question, “How does it feel to have made it?” Doing music for a living is about saying we are “making it” by working hard every day.

Playing music is also about looking at your yearly totals, not simply one month. It’s the forest from the trees.

At the end of the year, Pomplamoose is an incredible successful, independent set of musicians. They’ve diversified how they make money. They’ve probably learned some things about national touring. They’re reminding us to continue “making it” when it comes to music and art.

(Part 4: Oh! One more thought: another perspective)

 

 

 

 

 

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Pomplamoose Tour (Part 2: Hotel Costs)

2014 November 26
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by Mike Vial

Have you read Jack Conte’s article about how Pomplamoose’s tour lost money? (Read here)

Then, did you read my part one? (Read here)

OK, let move on…

* * *
Misconception 2: The hotel costs were extreme

OK, dear DIY bands and punk bands. I get it. I’ve done it, too. I’ve slept in my car while on tour, especially if a gig wasn’t well attended. I usually sleep at friends’ places while on tour too. I keep my hotel costs to a minimum on tour.

But this isn’t a sustainable way to take a professional band with hired guns on the road.

You shouldn’t hire six people to go on the road, and expect them to sleep on a couch or in the van! It’s OK when a band decides to do this as a team.

But bands, we need to get decent rest to avoid getting sick on the road.

Oh, you think Pomplamoose should have stayed at friends’ and acquaintances’ places to save money? Asking a friend to house eight people is a pretty heavy request, especially when your band is showing up at 1 AM or later.

I let touring friends stay at my Ann Arbor house quite a bit, but I couldn’t house eight people.

So the hotel costs aren’t extreme. They were mostly necessary.

* * *
$17,589 for hotels and food. Let’s break this down.

28 nights on the road = $628.19 a night for lodging.

Four hotel rooms a night. that’s $157 per hotel room and some food costs.

That’s not very extreme costs when you are touring through major cities.

Maybe a band could cut some of these costs down, but we are talking about $20 here, $40 there. This is a tour with $150K of expenses.

When I’m touring, I often seek out those $50 rooms off the highway. I’ve also stayed at some really bad hotels, that I wouldn’t ask my session players to do.

(Part 3. The Numbers)

 

 

 

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Pomplamoose Tour (Part 1: the Salaries)

2014 November 26
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by Mike Vial

It’s easier to spend time dissecting Pomplamoose’s tour statistics article than focus on the tragedy of the Michael Brown/ State vs. Darren Wilson case, so I’ll acknowledge this, but continue to distracting myself.

* * *
Yesterday, Jack Conte’s article about his band losing money on tour made major waves: Read it here.

I love Pomplamoose. (I wanted to take my wife Natalie to the Chicago show, but we closed on our house that weekend. I missed going to the Cleveland show, but had my own gig to play.)

I’m a super fan.

Most people are saying positive things about this article, and while I have some minor critiques of the tour expenditures, there have been some misconceptions that are annoying.

A few folks are missing Jack’s main theme and point of his article: That being in a band is about making it every day, by working, by taking on risk. That a creative class is rising up in the music world.

I agree with that 100%.

* * *
Some bands have taken issue with expenses for irrational reasons. They are comparing a DIY, indie punk tour to this tour, which isn’t apples to apples.

Here’s my take on two misconceptions:

1. The band members salaries

Many DIY bands who have never heard of Pomplamoose took issue with the payments to the bandmates.

Pomplamoose is a duo, and they hired professional musicians to join them on the road for 28 days. Pomplamoose’s expense for these bandmates is quite reasonable.

The fact that they took a band on the road is also reasonable. They were playing mostly 400-800 capacity rooms, and they wanted bring an engaging performance. They are commanding decent crowds.

So: $48,098 for salaries and per diems isn’t extreme.

They have four musicians and two crew members. For simplicity, let’s assume everyone got paid the same rate.

$48,098 divided by 6 = $8016.33 for a month of work per member. And maybe rehearsal time, too.
Look at it this way: $8016.33 divided by 24 gigs = $334.01.

Guess what. That’s a typical payment to make as a musician. I make between $200-300 for my Michigan bar gigs before tips and sales.

And these musicians and crew are on the road for 28 days, away from home, families, regular life!

These musicians and crew members were doing this tour for a reasonable payment. They probably had a fun time playing these great gigs, but it’s work. They are hired to do a job. They aren’t part of a band collecting royalties, but hired guns.

So punk bands, and DIY bands, stop saying the bandmates got paid too much. You need to look at this as hiring session players.

Pomplamoose treated their crew as well as they could. I bet Jack and Nataly wished they could have paid everyone more.

Part 2. the hotel costs

 

 

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Blue Owl Songwriter Finals, December 11

2014 November 20
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by Mike Vial

Thursday, December 11, 2014 – Blue Owl Singer-Songwriter Finals!
Hosted by Great Lakes Collective at Midtown Brewing Company
402 S. Washington, Lansing, MI 48933
7-10 PM
BlueOwlFinals
In April, I participated in the first round of Great Lake Collective’s singer-songwriter contest, and lo-and-behold, I made the finals!

The winner of the finals gets a $1500 for his or her next recording project. (Is it ok for me to dream? Coincidentally, on December 12, I’m heading to Chicago to start tracking my next music release at Frances Luke Accord’s studio.)

GLC has been about embracing community in #lovelansing since their formation, and I expect this show to be equally about Michigan’s great music scene as much as the competition. The show is open to the public, and the line-up of finalists are talented performers. I’ve seen Adrian and Abbey perform in Lansing, and they are stand-out songwriters. I’m excited to meet Kevin and Frances. Join us for a fun night!

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Setlist: Fluke Takes 11/8/2014

2014 November 9
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by Mike Vial

November 8, 2014 – Fluke Takes (live taping/house concert)
Chicago, IL (with Sedgewick)

1. Damn Fine Day
2. Smooth*
3. Love & Be Proud
4. Mahogany
5. Burning Bright
6. I Just Want to Be Your Last

*Santana/Rob Thomas cover

Fluke Takes filming Sedgewick, Chicago, IL

Fluke Takes filming Sedgewick, Chicago, IL

Brian (from Frances Luke Accord) at Fluke Takes

Brian Powers (from Frances Luke Accord) at Fluke Takes

FlukeTakes_Filming2

Fluke Takes filming, Nick Gunty (from Frances Luke Accord) and Will Thwaites

FlukeTakes

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